Thursday 18 February 2016

Twenty Thousand Leagues Under the Sea, by Jules Verne



This is one of the dullest and most tedious books I have ever read. Which is a shame to say, as I really enjoyed the other of Jules Verne’s works I've encountered: Around the World in Eighty Days. Alas Twenty-Thousand Leagues Under the Sea is significantly less enjoyable, for in terms of plot, pace, characters and readability we are left severely wanting. Imagine, if you will, being trapped on a submarine for a month where your only companion is a man who absolutely will not stop talking about marine biology. This in essence was my experience of the book.

          Our protagonist, M. Pierre Aronnax, is a mid-19th century French marine biologist who tells us about some queer occurrences in the waters around the world. Global shipping has been attacked by some bizarre gigantic sea-creature, and as an expert on the matter (or the closest thing they can find) M. Aronnax is offered a chance to accompany the hunt for this mysterious monster. Bringing with him his dull and subservient man-servant, Conseil, and befriending the Canadian harpooner Ned Land, Aronnax and his two companions find themselves flung off their ship during an encounter with the creature, only to be rescued by self-same creature and learn that it is not, in actuality, a sea-monster at all. What they discover is nothing less than a gigantic submarine, entirely self-sufficient and powered by technological marvels. Its captain, the enigmatic Captain Nemo, treats the three men as his guests and takes them along on a spectacular underwater journey – with the caveat that they are never allowed to leave his custody again.

          Such then is the premise of the story. After this point, about sixty pages into the novel, we get nothing more really than a series of episodes stitched together into a non-stop voyage that takes the characters all across the globe. We go off into an underwater hunt in an underwater forest, get beached near an island of hostile native tribesmen, go treasure-seeking among sunken shipwrecks, battle sperm-whales and giant squids, discover the ruins of Atlantis, and cruise all the way to the South Pole. Aside from this nothing much actually happens; we learn nothing really of Captain Nemo and his fabulous craft beyond what he spends the first few chapters explaining in non-stop exposition, so the suspense and mystery of Nemo’s origins leave us frustrated and dissatisfied rather than intrigued. Of the other characters nothing much can be said. The Nautilus' crew are a bunch of faceless voiceless zombies, Conseil is Aronnax’s skulking unemotional sycophant and Ned Land is a whining carnivorous brute. As for Aronnax, our eyes into this supposedly fascinating under-water world, he is quite simply the dullest man we could hope to spend our time with. He definitely enjoys this captive journey he finds himself on, but at our expense – for he spends fully half the novel describing, or rather ‘classifying’, all the supposedly amazing life-forms and marvels he witnesses under the waves. Descriptions are brief and fleeting; but Latinized scientific names for species and genus are thrown around as if there were no tomorrow for this obsessively zoological imperialistic* dullard. Verne must have written this book with a good number of encyclopaedias open in front of him, and if he had concentrated on trying to write an interesting story to accompany this bewildering array of scientific facts then it might have enhanced its overall effect. As it is we just end up with a solid brick of tedious details, and even the odd squid-attack, iceberg collapse or jaunt on the ocean floor cannot alleviate the abject dullness that permeates the entire novel.

          Anything good to say about this book? Well, even though it makes you feel like an idiot, at least it doesn’t exactly treat you as one. Aronnax is speaking to an intellectual equal, and if you can resist his scientific jargon for any length of time then you might feel that you really are on an under-water Victorian journey of intellectual discovery. The Nautilus itself is, even today, quite an interesting setting; an entirely self-sufficient luxury submarine equipped with, among other attractions, a library and a museum. Nemo and his world are at least relatively interesting, though I would have preferred it had the secrets of the Nautilus and of Nemo been gradually revealed throughout the course of the novel, rather than been explained in a massive chunk near the beginning and then left pretty much unexplained for the remainder of the story.

          I sympathize with the character of Ned Land, unable to appreciate Aronnax’s marine lectures or else find anything really to entertain himself on board the Nautilus, for his only desire is to escape the confines of this peculiar prison-ship and cut short his underwater voyage by any means necessary. I particularly don’t like the faceless crew, who play no part in the story other than to serve Nemo without question – which I find somehow ironic as Nemo considers himself to be all about freedom from man and battling oppression, yet he remains in absolute, total control of the destiny of every last person on board his ship. These people are essentially enslaved in order that one man can carry out his insane wishes, unable as they are to leave the ship, doomed to follow their commander even when he puts all their lives in terrible danger – driving into the iceberg-clogged seas of Antarctica, wading in to do battle with giant tentacle-spewing monstrosities, or taking on armed warships because he sometimes feels cranky. And that’s nothing to say of the lack of women on board. Perhaps Nemo is happy to live a celibate life – it is part of his character, after all – but throughout the entire novel there is not a single female character anywhere. It’s almost as though women have been excluded from this boys’ own adventure, and the absence is most glaring amongst this all-male crew. Just seems fishy, is all.

          So as it is, Twenty Thousand Leagues Under the Sea is a long, tedious novel in which nothing much happens. While undoubtedly something of a classic, and a point of interest in the 19th century imagination, overall I gained little pleasure out of having read it. I hear that Nemo’s origins are explained in Verne’s 1874 book The Mysterious Island, but I care little enough to read it now. If you want a book to delve into, then unless you’re willing to be lectured on marine biology jargon over the next three to four weeks, find something else to peruse.

* One must stress that this is a novel from the 19th century, and as far as European-Victorian attitudes go M. Aronnax keeps his bigotry to a minimum, except for his jarring distinctions between ‘civilised’ and ‘un-civilised’ human-beings. His tendency to refer to the indigenous peoples of south-east Asia as ‘savages’ gets rather wearisome after a while, and the scene in which the Nautilus is besieged by these self-same ‘savages’ shows that attitudes have progressed some way over the past 146 years.

Bibliolitus
Verne, Jules. Twenty Thousand Leagues Under the Sea. Translated by Philip Schuyler Allen. London: Reader’s Digest. (1993 [First published in French in 1870])

No comments:

Post a Comment