Nineteen
Eighty-Four, by
George Orwell (or Eric Arthur Blair, to use his real name). Like it or no, this
is probably one of the most important books of the twentieth century, and is
well worth a read. Written during the late forties, a dark and mysterious time
following the end of the Second World War, and thus the start of the Cold War
(for a bit of context), the story concerns the life of a middle aged worker
named Winston Smith in the not too distant Dystopian future of the year 1984.
The world has changed much in the past thirty years, and Winston is living under
the thumb of a shadowy authoritarian regime, known as the Party, who constantly
monitor the lives and activities of all its citizens. The catchphrase here is ‘BIG
BROTHER IS WATCHING YOU’, referring to the quasi-divine leader of the Party,
Big Brother. All information is controlled by the Party, and history is being
completely rewritten to enforce the benevolent and omnipotent view of their
regime. Any deviation or rebellion against the Party or its principles is
punished with absolute severity – the perpetrators disappear, and are written
out of existence.
The main thing to note about the
story is that it is pretty basic. Winston is not happy with this state of
affairs, lives a dangerous life of trying to maintain a private rebellion
against a regime who scrutinises his every move. He becomes involved in a
secret relationship with another worker in the Party, who also hates the
regime, until they are eventually discovered, arrested, and imprisoned. A large
part of the book consists of the details of the nightmare world that Orwell has
created, following Winston as he goes about his normal working life, and
exploring the underlying principles that govern the regime, namely the ideology
of Doublethink and the new language
of Newspeak. It would be folly for me
to try and explain these things here, because they are difficult things for me
to sum up, and Orwell spent an entire book explaining how they work – though he
explains it brilliantly.
It is almost as if the novel is
about the world of 1984, and Winston and the other characters only exist in
order to better demonstrate how it all works, but that would be doing injustice
to them. Winston is not a hero, whom the reader can be assured will eventually
triumph, but an ordinary and flawed man who is all too aware of the futility of
his beliefs, but clings to them anyway. The story is very simple, but no less
potent because it shares the bench with an all-important setting.
And what makes the thing more
striking is the ending. Now, I’m going to have to spoil the ending in order to
outline one of the great strengths of this work, but I justify this by saying
that the plot is not the reason you read this book. Even before I read the book
I knew what happened at the end, and on my second read through it was no less
traumatising to see it all happen over again. It’s quite clear right from the
start that Winston is doomed to failure, an idea reinforced time and again
throughout the body of the story, until at the end, after torture,
psychological warfare and brainwashing, he gives up, accepts the horrible world
for what it is, and learns to love Big Brother just as everybody else does.
Just to know this does not ruin the book, because it is about the way in which
this horrible Dystopian future can exist, and nothing drives this home better
than the utter bleakness of the ending. If Winston had somehow been able to
ignite a revolution, that would eventually overthrow the Party and restore a
better world, it wouldn’t have been half the book that it turned out to be.
The thing is that this book is the
final and possibly greatest work of George Orwell, a brilliant man who was
clearly committed to his idealist politics and the wonderful ideas of freedom,
truth and justice. His other best remembered work, Animal Farm, is a demonstration of how the best intentions can be
undermined and usurped, and Nineteen
Eighty-Four is a continuation of this theme. It is as though the writer had
considered the worst future he could imagine, a world of continuous war, never ending
slavery, and psychologically conditioned ignorance, and then worked out how
such a system could possibly exist, carry out its will and justify its means.
He had just lived through a time that saw the rise of Nazism and Stalinism,
systems which had caused more death and suffering than ever before witnessed in
human history, but systems which were nevertheless based on a warped sense of
logic. He foresaw the next few steps, and what it had yielded was a world of
unimaginable horror, where lies, war, torture and starvation could be justified
under the names of truth, peace, love and plenty. This book is a warning, plain
and simple.
Nineteen
Eighty-Four might be
seen as outdated. It is a mid-twentieth century novel written about a year that
came and went nearly thirty years ago. The generally human-driven technology
and methods in Orwell’s book look a little old-hat when viewed sixty years on, and
the ideological forces that shaped the world of Orwell and would shape the
world of his novel have apparently all but disappeared.
But complacency is foolish. Nineteen Eighty-Four is not a mere
straight-faced warning against Joseph Stalin, but on how an entire population
can be deceived, manipulated and exploited. Truth is subjective, people are
malleable. Winston was broken, forced to abandon everything he loved and
believed in, just as anyone could be, or has been. And with the advancement of
technology, a world that is governed by screens more than it ever was in Orwell’s
day, isn’t that more terrifying than ever? If you’re reading this, you’re
staring at a screen; I’m staring at a screen, we can’t get away from these
bloody screens! There’s also a webcam above the one I’m staring at, and the
fundamental premise of Nineteen
Eighty-Four is that there are screens you watch, but which also watch you.
Sure, you only use a webcam or the internet when you want to, but how long
before a government or a corporation make it mandatory to have them on
permanently? After all, just this year in 2013 we’re seeing a whole generation
of video games consoles that won’t work without constant internet connections.
We can’t escape, and we never know for certain who could be watching, and what
they know about us.
This doubtless sounds paranoid, and
I don’t think we’re in an Orwellian world, at least not yet. And if we are
heading towards one, then at the moment it’s a Capitalist one, and not a
Stalinist one, a world which sees people as no more than consumers and markets,
land and homes as nothing more than property, leaders desirous of accumulating
money rather than pure power as in Nineteen
Eighty-Four. Then again, the shared power of elite communities as
envisioned by Orwell, that’s definitely a thing that’s happening – power can
only be accumulated among groups of people, and to see the world governed by
committees of rich people who only ever get richer, Orwell definitely foresaw
that.
Okay, I’m going to have to finish
this up. I’m getting more paranoid by the second. The Thought Police might be
after me one day. But definitely read Nineteen
Eighty-Four; you might see that I’m just working myself up over nothing. Or
you might take Orwell’s warning seriously, see that though the actors and
scenario may change, the underlying principles stay the same.
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